One rainy night, Sodan's grandmother disappears, only telling her she's going to see a movie. In an effort to track her down Sodan gets a job as a box office attendant at the local theater. But there's more to this run down cinema than meets the eye.

It has been one hundred years since the first movie theatre was built in Korea. Today it is not just a place for the sake of art but a part of our daily lives. This is an omnibus film of three shorts, which the stories are involved with the 'special but friendly'space. The Famished is a sad fantasy of a man eating his memory for his hunger. Ten Million is a bloody thriller about living as a filmmaker in Korea, and The Loneliness of Butcher Boy is about the relationship between holiness and violation

Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets.Jim Buckley of the Pewter Plough Playhouse recalled:When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.

Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets.Jim Buckley of the Pewter Plough Playhouse recalled:When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.

Ten artists meet in a ghost theater. At the cost of each other, they grapple with love, humiliation and loss.

A serial killer ruthlessly hunts down a deaf woman through the streets of South Korea after she witnesses his brutal crime.

The police procedural tackles crimes and clues in the cyber world, weaving a massive, twist-filled mystery of murders, identity switches, corruption and conspiracy.

When a deadly religious cult begins weaponizing demonic entities, it's up to a band of church funded mercenaries to take them down before they unleash Hell on Earth. When word of a Fallen Angel reaches the team, the stakes are raised and the fate of humanity rests on the shoulders of one man: Ghost.

A dreaded gangster called ‘Ghost’, takes hostage of a prison, and an efficient police officer Chengappa is immediately deputed to solve the issue. And thus begins the cat and mouse chase between an intelligent criminal and a ruthless police officer.

每个人心中都存在的“ghost”。那是无法言喻，却真实存在的本心情感。本作关于为守护“星空”而反抗世界荒谬的少女·妮可，其孤独与勇敢，以及与他人互动时心灵的微妙变化之叙情。夏目导演表示：“希望用堪称虚构的动画媒体，创作出反映当下的时代性、追求真实感的作品。”